Open today: 11:00 - 17:00

By continuing your navigation on this website, you accept the use of cookies for statistical purposes.

Jungle Brothers
What "U" Waitin' "4"? / J. Beez Comin' Through

What "U" Waitin' "4"? / J. Beez Comin' Through
What "U" Waitin' "4"? / J. Beez Comin' ThroughWhat "U" Waitin' "4"? / J. Beez Comin' ThroughWhat "U" Waitin' "4"? / J. Beez Comin' ThroughWhat "U" Waitin' "4"? / J. Beez Comin' ThroughWhat "U" Waitin' "4"? / J. Beez Comin' Through

Catno

759921477-0

Formats

1x Vinyl 12" Maxi-Single 33 ⅓ RPM

Country

Australasia

Release date

Jan 1, 1989

Media: VG+i
Sleeve: VG+

$12*

*Taxes included, shipping price excluded

A1

What "U" Waitin' "4"? (Jungle Fever Mix)

4:29

A2

What "U" Waitin' "4"? (Love Ride & Orchestra Mix)

3:53

A3

What "U" Waitin' "4"? (LP Version)

4:03

B1

J. Beez Comin' Through (LP Version)

3:29

B2

J. Beez Comin' Through (Remix)

4:24

B3

J. Beez Comin' Through (Bonus Beats)

1:49

Other items you may like:

TNGHT's crescent moon is appearing once again from behind heavy clouds. It has been seven years since Hudson Mohawke (Ross Birchard) and Lunice's (Lunice Fermin Pierre II) prodigious debut which accidentally changed the sound of the pop music caught in its wake. The pair of bedroom-producers-cum-super-producers come from Glasgow and Montreal and have aligned once again on a record which aims to chew up and spit out every influence in an exhilarating 7 tracks.TNGHT II has the wildness turned up. In this, the second epoch, the pair explore new forms: they've collected more equipment, made a couple hits, own bigger speakers, loaded a thousand flutes into FL Studio.
Re-issued for the very first time. Up until now the Captain Mosez 12" remained a highly sought after S.A. disco obscurity ( apparently going for the big $ on the collector market), but Afrosynth do the right thing in the right way and bring this edition for us all to enjoy.In 1985 a young musician named Moses Mafiri walked into EMI Studios in Johannesburg. Working with Selwyn Shandel, then one of the label’s prolific in-house producers, the two tracks they recorded – ‘Fly Cherry Fly’ and ‘Hey! Hey! Hey!’ - reflect the range of international influences in South Africa’s burgeoning ‘bubblegum’ sound – Italo disco, electro-funk, even rock.